‘Panam Panam’ by Chevalier Edition
Ah, Paris! The city of lights! Or so begins every tome ever written about the French capital city as if there are simply no other …
Ah, Paris! The city of lights! Or so begins every tome ever written about the French capital city as if there are simply no other …
In anticipation of DOMOTEX this year we published selections from each category of the Carpet Design Awards. Selections of course allow for an unencumbered expression …
Gradient, Gradation, Fades, Ombre and the like all describe what can be considered one (1) of the Holy Grails of handmade carpet production: The ability …
It gives me great joy to announce the United States’ embargo and ban on the importation of Iranian produced rugs and carpets has been lifted. In accordance with the Joint Comprehensive Plan of Action (JCPOA) the International Atomic Energy Agency (IAEA) on 16 January 2016 certified Iran had fulfilled its initial obligations under the JCPOA and thus ‘Implementation Day’ came to pass and with it the end of the embargo. Throughout my lifetime the embargo has been enacted and rescinded on numerous occasions in various efforts to force The Islamic Republic of Iran into compliance with geopolitical ideologies we shall not again discuss; politics, religion, and all that.
A wise man would have been prescient enough to have completed this article in time to have published on 2 February 2016, and then, à la façon the wonderfully annoying film ‘Groundhog’s Day’ further belaboured you with yet another long winded diatribe in support of copyright via a now second mention of that film. ‘We won’t find out until we grow…’ to quote that film’s use of the iconic song ‘I Got You babe’. Discussion of my relative wisdom notwithstanding, such an opportunistic article was not meant to be for a great conundrum had beleaguered me since shortly after the publication of my last missive on copyright in the rug and carpet industry entitled ‘No Euphemisms, It’s a Knockoff!’ Only in recent weeks has an acceptable solution presented itself and so, without further adieu, I offer a footnote of sorts on copyright in general, and of course what that means to the rug industry. Apologies in advance for the somewhat tedious and essay like nature of this article; I trust those of you who care about more than just to paying lip service to copyright will find it most intriguing. Enjoy!
Platitudes have already been written about Rug Star, its outgoing and buoyant bon vivant founder Jürgen Dahlmanns, and the critically acclaimed and award winning carpets which bear the individually hand signed ‘Certificates of Authenticity’ of this now iconic carpet house. To belabour and restate any of his accolades would be to do a disservice to a man who, not unlike myself, sees the world through an intellectual eye that imparts a high degree of emotional context to his work. Unlike The Ruggist however, Mr. Dahlmanns enjoys several of the the benefits of his Teutonic origins.