Year: <span>2019</span>
Year: 2019

The Handmade Carpet | A Review

The nearly three-hundred pages of text and imagery of ‘The Handmade Carpet’ contain a wealth of knowledge accumulated over the long and storied careers of the authors Fritz Langauer and Ernst A. Swietly. The assertive authors undoubtably put forth superior and exhaustive efforts in compiling what amounts to multiple lifetimes of experience, information, expertise, commentary, and so forth as they attempt to explain, as the subtitle of the tome – ‘A Comprehensive Guide to Contemporary Rugs’ – purports, contemporary rugs and carpets. In the final analysis however, it must be stated that while the volumn is indeed comprehensive in regard to certain aspects of contemporary carpetry, it likewise lacks in its treatment of contemporary as the word has come to be employed in the colloquial of today.

Crafting | Handknotted Nylon Part 4 of 5

On 10 November 2019 Peter Goudeseune and Sergey Burattin of Aquafil, makers of ECONYL® nylon, Shally Sarawagi of Sarawagi Rugs, and myself traveled to the north-east outskirts of Kathmandu, Nepal in order to ceremoniously remove the prototype handknotted carpet made from ECONYL®, now named ‘Nylon Engulfed,’ from the loom. This is not in any way a tradition within carpet making in Nepal – it is a commercial industry after all – but it is ceremony within weaving in Aubusson, France. The tombée de métier, the ‘falling from the loom,’ when a tapestry is removed, via cutting of the warp yarns, from the loom; it’s an irreversible step that concludes the weaving.

Impetus | Handknotted Nylon Part 3 of 5

‘As a new rug designer I was excited by the challenge that this project brings — ocean inspired pieces that don’t damage the earth,’ says British designer Isobel Morris about her involvement in this project. ‘I have a passion for eco-friendly solutions for wildlife and the environment, I’m dedicated to a better quality of life for myself, society and future generations. Econyl offers a versatile solution for the rug and carpet industry [amongst many] and I’m proud to create designs with what I believe is the future of textiles.’

Context | Handknotted Nylon Part 2 of 5

Humanity does not, and likely will not ever know precisely when weaving and knotting of handknotted carpets first started. Certainly Persia played a role, as have other regions of the world, including of course Tibet. The latter being the origin of the technique now being employed by Sarawagi Rugs of Kathmandu, Nepal to create the first handknotted carpet made of ECONYL® regenerated nylon. Designed by Isobel Morris, it is a prototype which begs the question: ‘What more can be done to improve the environment of the planet, while satisfying the needs and wants of rug and carpet consumers?’

Ideation | Handknotted Nylon Part 1 of 5

In collaboration with Aquafil, makers of ECONYL® regenerated nylon yarns; Sarawagi Rugs, makers of fine Nepali-Tibetan carpets; and Isobel Morris, designer of textiles and carpets, The Ruggist is contributing expertise – such that it is – as well as documenting the making of the first handknotted carpet to be made of ECONYL® regenerated nylon​. This is the first of a five part series of articles documenting the prototype production of a novel handknotted carpet made of ECONYL® regenerated nylon. Without further ado, this is the backstory and a peek at the beginnings of the process.

Shibori Style | An Exploration

From Nathan Tucker of Lapchi’s Rug Design Studio in Chicago, Illinois: ‘I guess when it comes to reïnterpreting a certain medium or artistry into handknotted carpets, there’s always going to be a challenge, depending on how close of an analogue to the original inspiration you’re trying to achieve. In shibori’s case, the general patterning is something that’s pretty easy to recreate with a graphed knot. Specifically, the itajime technique of shibori is something you see a lot of; the more geometric style of block/resist dying.’

‘Make Rugs Not War’

Calling as art the vast majority of rugs and carpets made today is intellectually dishonest and in truth no different than calling mass produced paintings from China that have ‘just the right hint of blue that ties the room together’ art as well. There are of course rare exceptions but in a world driven by design and trends, precious few carpets elevate themselves above the fray into the exalted world of art, or perhaps to best distinguish: Art!

Ras El Hanout

Pierre Marie sees himself as an ‘artist-ornamentalist,’ which is it say, as Pierre Marie does, he is ‘Someone that has the talent and the knowledge to decorate any surface with a story, a pattern, a frieze. I would just say that some media are more hungry for drawing than others. And textile is definitely one of them.’

A Presto! | cc-tapis

It was in the late summer of 2015 C.E. at the 12th annual – and apparent penultimate – New York International Carpet Show that I first met Fabrizio Cantoni of cc-tapis and became more acquainted with the Italian brand. At the time I had only recently begun to take writing and rug commentary far more seriously and in the process the two (2) of us had, as one does in this age, begun following one another on Instagram. After passing by the cc-tapis stand several times I returned and while making reference to Cantoni’s Instagram handle I inquired assertively, ‘Which one of you is Happy Fabrizio?’ as I approached. That is how I came to meet Fabrizio Cantoni, who along with his wife Nelcya Chamszadeh and their business partner Daniele Lora comprise the energetic triumvirate at the core of cc-tapis.