Make Rugs Not War - Carpets as Art, A Review - Jan Kath - The Ruggist

‘Make Rugs Not War’ | Carpets as Art!

As quintessence of the notion of rugs as art, 'Make Rugs Not War' delivers ample imbued commentary, as art must.

Calling as art the vast majority of rugs and carpets made today is intellectually dishonest and in truth no different than calling mass produced paintings from China that have ‘just the right hint of blue that ties the room together’ art as well. There are of course rare exceptions but in a world driven by design and trends, precious few carpets elevate themselves above the fray into the exalted world of art, or perhaps to best distinguish: Art! This is unquestionably a subjective opinion, one anyone is free to question or challenge, yet to accept broadly rugs and carpets as art is to invite inclusion of many a pastiche object just as it is to delegitimize the work of practicing artists, formally trained, folk, or otherwise. The ensemble of carpets which comprise ‘Make Rugs Not War’ specifically challenge the status quo, and thus, like ‘Pearls’ Passage’ by Viron Erol Vert, transcend decorative art into Art, utilizing the carpet not just as rug, but as medium upon which commentary is imbued. With that, what is it then that Jan Kath is saying via ‘Make Rugs Not War?’

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The 'Plush Solid' quality of carpet by Sambhav shown in colour Royal Blue, as seen during Domotex 2019. | Photograph by The Ruggist.

Plush Solid | Sambhav

Technicalities aside, attraction is still governed by emotion and 'Plush Solid' conjures many.

‘Your eyes may not intentionally deceive, but they do not reveal the tactile nature of carpets.’ – From a purely objective viewpoint one could rightly argue that in 2019 there is little reason to make a solid, that is to say, a single colour handknotted rug or carpet. As many other techniques – broadloom and handloom as two examples – can readily satisfy the visual requirements in order to complete the look at a fraction of the price, the expense of handknotted simply doesn’t fit the technocratic bill. Great design however is never solely governed by technicalities, rather it is a melange of fact and the seemingly irrational nature of attraction, pleasure, desire, and countless other emotions. Thus subjectively, the ‘technical’ look if you will, pales in comparison to the touch, the tactile sensations, the haptics of the particularly sumptuous and decadent ‘Plush Solid’ by Sambhav. 

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