The Handmade Carpet | A Review

In attempting to balance the duality of contemporary, the authors err toward history and technicality as opposed to style.

The nearly three-hundred pages of text and imagery of ‘The Handmade Carpet’ contain a wealth of knowledge accumulated over the long and storied careers of the authors Fritz Langauer and Ernst A. Swietly. The assertive authors undoubtably put forth superior and exhaustive efforts in compiling what amounts to multiple lifetimes of experience, information, expertise, commentary, and so forth as they attempt to explain, as the subtitle of the tome – ‘A Comprehensive Guide to Contemporary Rugs’ – purports, contemporary rugs and carpets. In the final analysis however, it must be stated that while the volumn is indeed comprehensive in regard to certain aspects of contemporary carpetry, it likewise lacks in its treatment of contemporary as the word has come to be employed in the colloquial of today.

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Make Rugs Not War - Carpets as Art, A Review - Jan Kath - The Ruggist

‘Make Rugs Not War’ | Carpets as Art!

As quintessence of the notion of rugs as art, 'Make Rugs Not War' delivers ample imbued commentary, as art must.

Calling as art the vast majority of rugs and carpets made today is intellectually dishonest and in truth no different than calling mass produced paintings from China that have ‘just the right hint of blue that ties the room together’ art as well. There are of course rare exceptions but in a world driven by design and trends, precious few carpets elevate themselves above the fray into the exalted world of art, or perhaps to best distinguish: Art! This is unquestionably a subjective opinion, one anyone is free to question or challenge, yet to accept broadly rugs and carpets as art is to invite inclusion of many a pastiche object just as it is to delegitimize the work of practicing artists, formally trained, folk, or otherwise. The ensemble of carpets which comprise ‘Make Rugs Not War’ specifically challenge the status quo, and thus, like ‘Pearls’ Passage’ by Viron Erol Vert, transcend decorative art into Art, utilizing the carpet not just as rug, but as medium upon which commentary is imbued. With that, what is it then that Jan Kath is saying via ‘Make Rugs Not War?’

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Words of Wisdom from Celaleddin Vardarsuyu of Bereket. The Ruggist.

Words of Wisdom | Vardarsuyu

A reprint of an open letter from Celaleddin Vardarsuyu regarding Turkey, opportunity, and partnership.

Celaleddin Vardarsuyu is an innovator, a true master of the art of contemporary carpetry. Whether you know of him by name, reputation, or have no knowledge of the man himself, for those who follow the trends of handmade rugs and carpets it is without doubt you know of his work and the subsequent derivative work his has inspired. In fact so pervasive is his influence – realized or otherwise – that even the casual observer of the broad decorative area rug market has likely seen at least some variant of his now iconic, oft imitated, patchwork style carpet. Vardarsuyu is also a passionate strongly opinionated thinker, a trait for which this author has nothing but the utmost of praise and respect.

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Nepal Ascending - The Ruggist

Nepal Ascending

How a focus on quality and differentiation can revive the carpet industry of Nepal.

I have thought long on this, in fact since November 2016 and I do not in any way claim to have the answers save one: I know if nothing is done, the facts speak for themselves. I have friends in Nepal who envision a guild of sorts which would certify the quality of workmanship and materials. I have other friends in Nepal who would join this guild if it meant they would sell more carpets. I see the possibility of this guild idea growing to include export organizations, and NGOs from the West. I see the Guild bringing together Nepalis, Tibetans, and Westerners with a renewed ‘we can rebuild’ attitude like that which existed in that ‘brief shining moment’ that was the aftermath of the earthquake; earthquake also as allusion to the long decline of Nepali weaving. I call upon any concerned importer or maker of Nepali-Tibetan carpets to if not join me and my colleagues in working toward this concept of Guild, at least acknowledge a new approach must be had. For those who feel as I do, that a more unified voice is required, that more can be done both here in the West but more importantly in Nepal as well, and that the status quo is less than acceptable, I welcome the opportunity to talk with you personally so that we can – collaboratively – truly give back to Nepal.

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Interwoven Authenticity | A Caveat - The Ruggist

Interwoven Authenticity | A Caveat

A semi-disjointed thought piece discussing authenticity, truth, and transparency in the modern world (of rugs and carpets).

It is worthy of note that throughout the entirety of The Ruggist you will find no small degree of exaggeration, hyperbole, and irreverence. It’s who I am, it’s how I write, it’s how I see the world. Black, but not just any black. The most perfect black of which you can think. Soot from a freshly cleaned chimney black; matte with no discernible texture, as though you’re staring into a void. Vantablack® – Can this be applied to yarn? I wonder… . That kind of black. And then of course to the far other extreme, a white of no less than equal splendour, pure, but not devoid of all hue. Perhaps the Benjamin Moore named colour: Grand Teton White, if only because it reminds me of my fourteen year old self giggling at the name while basking in the very same majesty that first greeted those French explorers. Each colour – no less special than the other – vying, clamouring to be recognized as the best, the most authentic, the singular whatever it is.

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