Tiger shown in colour Pink by Joseph Carini Carpets - 100% silk handknotted in Nepal. | Image courtesy of Joseph Carini Carpets. - Tiger Carpets on The Ruggist

They’re Great! | Tiger Rugs

Within the world of rugs and carpets if one is to mention ‘Tiger Rug’ the foremost thought aught to be that of Tibetan Tiger Rugs. Not because of any exclusive domain over the motif – which there most certainly is not, but rather because in the grand and storied history of tigers as inspiration for carpets Tibet has produced some of the most amazing, lively, and original versions of the design. Whether the motif originated in Tibet, in a geographically proximal region, or in Timbuktu as a metaphor for far-off unknown places, is a scholarly debate for another time. Regardless, know that amongst the collectable and pre-commercialized rug market, Tibetan Tiger Rugs are, if you’ll pardon the pun, the cat’s meow.

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Copyright Footnote - The Ruggist

Copyright Footnote!

'Final' thoughts and summary of the state of copyright in rugs and carpets.

A wise man would have been prescient enough to have completed this article in time to have published on 2 February 2016, and then, à la façon the wonderfully annoying film ‘Groundhog’s Day’ further belaboured you with yet another long winded diatribe in support of copyright via a now second mention of that film. ‘We won’t find out until we grow…’ to quote that film’s use of the iconic song ‘I Got You babe’. Discussion of my relative wisdom notwithstanding, such an opportunistic article was not meant to be for a great conundrum had beleaguered me since shortly after the publication of my last missive on copyright in the rug and carpet industry entitled ‘No Euphemisms, It’s a Knockoff!’ Only in recent weeks has an acceptable solution presented itself and so, without further adieu, I offer a footnote of sorts on copyright in general, and of course what that means to the rug industry. Apologies in advance for the somewhat tedious and essay like nature of this article; I trust those of you who care about more than just to paying lip service to copyright will find it most intriguing. Enjoy!

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No Euphemisms, It's a Knock-Off! - ‘Story Stones’ from the ‘Donghia for Odegard’ Collection by Odegard, circa 2000 C.E. | Image courtesy of Odegard Carpets. - The Ruggist

No Euphemisms, It’s a Knockoff!

Too often when discussing what is and is not a knockoff a spade does not get called a spade.

It’s frustratingly cliché, but it’s the rug industry. The later half of that sentence has been uttered innumerable times as justification of some archaic practice that while remaining perfectly entrenched in the rug industry is not quite at home in our current times. Some are egregiously out of touch, others quaint and endearing. It is, after all, the rug industry and we must accept it for what it is or so goes the conventional wisdom. The problems – seemingly infinite as they might be – occur when convention, tradition, and ‘because that is the way we’ve always done it’ meet the modern legal structure in which we have chosen to live. As previously discussed in nauseating detail and considerable length (both on The Ruggist and in COVER) the issue of Copyright in the rug industry is not the simple black or white issue many would have you believe. Even if it were black and white (or is that white and black?), which hue of black and which hue of white are we discussing exactly? So many possibilities that we shan’t touch upon today; the position of The Ruggist is clear: Do not copy. Copy being – of course – a heavily nuanced word. It is however, the complete and utter lack of nuance that once again brings the issue of Copyright back to this electronic page.

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A Passion for Rugs | Christiane Millinger - The Ruggist

A Passion for Rugs | Christiane Millinger

‘It was the loveliest party that I’ve ever attended, if anything was broken I’m sure it could be mended.’ – They Might Be Giants. This opening quote, like so many random quotes, has been taken out of its original context and dropped headfirst into the void allowing for a new meaning more suited to the purpose at hand. For unlike the song from which the line originates, there are no socially inappropriate connotations to be had, only the simple sincerity of the words at face value: It was a lovely party – hosted by the passionate Christiane Millinger – and with certainty had any carpet inexplicably sustained damage the fastidious Ms. Millinger would have been able to execute the repair.

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