The process of making custom or bespoke rugs and carpets is one that has many benefits both for the manufacturer as well as the consumer. Consumers enjoy the luxury of specifying each of every detail of the carpet – within the confines of a particular makers capabilities – and individual makers, importers, and retailers realize lower inventory cost and waste as they are not producing full carpets on speculation alone. No matter how efficient the process however there will always be surplus yarn after a rug is finished. ‘There are often two or three spools of a certain colour yarn left over after weaving a rug. This is because we make a few extra spools in case we need to redo something during the production process.’ explains Ellinor Eliasson, a designer at Swedish carpet house Kasthall.
‘As long as you think it could work and that anyone would be interested.’ was the affirmative reply I received from Lucy Upward, Editor of COVER Magazine, when asked if she would be willing to be interviewed as part of my series ‘Over Coffee’. ‘We’ll do it over afternoon coffee at Jan Kath’s during ‘A Family Affair’ I replied, ‘I think it has the potential to be quite interesting. It will be a fun exploration of our thoughts, handfulls of people will find it enjoyable. Handfulls!!’ I concluded. ‘Handfuls. At least ten (10)… .’ Lucy replied. And so it was decided that we would sit down and chat while Lucy and I were both in attendance at the second annual ‘A Family Affair’, graciously hosted by Jan Kath, his eponymous firm, and the extended and diverse global Jan Kath family – in both the literal and figurative sense.
‘A lot of films about carpets follow the same narrative.’ begins Janis Provisor as I speak with her via telephone whilst her and co-principal and co-creative director Brad Davis are on a brief visit to New York City. ‘You typically see spinning, carding, weaving, all the usual makings of a carpet, but we wanted to make things more interesting; to create little vignettes.’ Provisor is referring to a series of short films her firm Fort Street Studio recently commissioned to tell a story with few stipulations and no pre-defined narrative. ‘We more or less gave the filmmakers carte blanche only requiring the films be shot on location in our New York Showroom and that they use our painterly and textural carpets as an inspirational design element. Beyond that, we said ‘Do what you want.”