The Story of Mt. Refuge Nepal
This article came to be quite serendipitously in March 2023 while I was already in Kathmandu, Nepal for field work related to Establishing Trade for …
This article came to be quite serendipitously in March 2023 while I was already in Kathmandu, Nepal for field work related to Establishing Trade for …
These extemporaneous remarks were originally delivered to honoured guests, attendees, and the Executive Committee of the Nepal Carpet Manufacturers and Exporters’ Association (NCMEA) during the organization’s annual meeting in Kathmandu, Nepal on Wednesday, 29 March 2023. They have been automatically transcribed by artificial intelligence and lightly edited for syntax and clarity.
These prepared remarks were originally presented to attendees of DOMOTEX during the annual rug and carpet trade fair hosted in Hannover, Germany on Friday, 13 January 2023.
These prepared remarks were originally presented to attendees of DOMOTEX during the annual rug and carpet trade fair hosted in Hannover, Germany on Thursday, 12 January 2023.
These prepared remarks were originally presented to the Association of Rug Care Specialists (ARCS) during Rug-A-Paloosa at the world-class cleaning and rug repair facility of Robert Mann Rugs in Denver, Colorado, United States on Thursday, 3 November 2022.
The production of carpets in Kathmandu has had a transformative effect on both the Tibetan refugee population and the native Nepali people. It is an industry which during its ascent, golden years, and decline – in volume – provided much needed foreign exchange for a country dependent upon such transactions. It created wealth both in Nepal and abroad, and it has undoubtably contributed to an increased standard of living in the country of Nepal.
It began innocently enough as I was preparing in May of 2018 to travel to Portland, Oregon to observe and document the making of ‘Intimacy Portland,’ a joint project between Christiane Millinger Handmade Rugs and Rug Star by Jürgen Dahlmanns. I was conducting field research for the article and eventual presentation ‘Inside Intimacy Portland’ for Rug Insider Magazine and – as one did in 2018 and still does in 2020 – I was browsing the titles available for download on Netflix; plane travel after all can be notoriously monotonous. One documentary quickly caught my attention: ‘Coffee for All,’ or ‘Caffè Sospeso’ as originally titled. I downloaded it partially out of sincere interest, partially out of the serendipitous nature of traveling to a renown coffee mecca: Portland, Oregon. The short film proved to be the entrée which has refocused my life.
To explore the creation of a new product is to take a step away from what has been into the unknown, the perhaps unfathomable, the hitherto unrealized. It requires a degree of modernism and a progressive mindset insomuch that conservatism simply tends to favour the status quo. With that comes a degree of irony associated with rug makers of today who while immediately embracing the aesthetics du jour, also favour steadfast traditional techniques even at the expense of efficacy and efficiency, socio-economic concerns, and as is relevant to ‘Nylon Engulfed’ the prototype handknotted carpet made of ECONYL® regenerated nylon, contemporary environmental and climatological concerns.
The nearly three-hundred pages of text and imagery of ‘The Handmade Carpet’ contain a wealth of knowledge accumulated over the long and storied careers of the authors Fritz Langauer and Ernst A. Swietly. The assertive authors undoubtably put forth superior and exhaustive efforts in compiling what amounts to multiple lifetimes of experience, information, expertise, commentary, and so forth as they attempt to explain, as the subtitle of the tome – ‘A Comprehensive Guide to Contemporary Rugs’ – purports, contemporary rugs and carpets. In the final analysis however, it must be stated that while the volumn is indeed comprehensive in regard to certain aspects of contemporary carpetry, it likewise lacks in its treatment of contemporary as the word has come to be employed in the colloquial of today.
On 10 November 2019 Peter Goudeseune and Sergey Burattin of Aquafil, makers of ECONYL® nylon, Shally Sarawagi of Sarawagi Rugs, and myself traveled to the north-east outskirts of Kathmandu, Nepal in order to ceremoniously remove the prototype handknotted carpet made from ECONYL®, now named ‘Nylon Engulfed,’ from the loom. This is not in any way a tradition within carpet making in Nepal – it is a commercial industry after all – but it is ceremony within weaving in Aubusson, France. The tombée de métier, the ‘falling from the loom,’ when a tapestry is removed, via cutting of the warp yarns, from the loom; it’s an irreversible step that concludes the weaving.
‘As a new rug designer I was excited by the challenge that this project brings — ocean inspired pieces that don’t damage the earth,’ says British designer Isobel Morris about her involvement in this project. ‘I have a passion for eco-friendly solutions for wildlife and the environment, I’m dedicated to a better quality of life for myself, society and future generations. Econyl offers a versatile solution for the rug and carpet industry [amongst many] and I’m proud to create designs with what I believe is the future of textiles.’
Humanity does not, and likely will not ever know precisely when weaving and knotting of handknotted carpets first started. Certainly Persia played a role, as have other regions of the world, including of course Tibet. The latter being the origin of the technique now being employed by Sarawagi Rugs of Kathmandu, Nepal to create the first handknotted carpet made of ECONYL® regenerated nylon. Designed by Isobel Morris, it is a prototype which begs the question: ‘What more can be done to improve the environment of the planet, while satisfying the needs and wants of rug and carpet consumers?’
In collaboration with Aquafil, makers of ECONYL® regenerated nylon yarns; Sarawagi Rugs, makers of fine Nepali-Tibetan carpets; and Isobel Morris, designer of textiles and carpets, The Ruggist is contributing expertise – such that it is – as well as documenting the making of the first handknotted carpet to be made of ECONYL® regenerated nylon. This is the first of a five part series of articles documenting the prototype production of a novel handknotted carpet made of ECONYL® regenerated nylon. Without further ado, this is the backstory and a peek at the beginnings of the process.
From Nathan Tucker of Lapchi’s Rug Design Studio in Chicago, Illinois: ‘I guess when it comes to reïnterpreting a certain medium or artistry into handknotted carpets, there’s always going to be a challenge, depending on how close of an analogue to the original inspiration you’re trying to achieve. In shibori’s case, the general patterning is something that’s pretty easy to recreate with a graphed knot. Specifically, the itajime technique of shibori is something you see a lot of; the more geometric style of block/resist dying.’
Calling as art the vast majority of rugs and carpets made today is intellectually dishonest and in truth no different than calling mass produced paintings from China that have ‘just the right hint of blue that ties the room together’ art as well. There are of course rare exceptions but in a world driven by design and trends, precious few carpets elevate themselves above the fray into the exalted world of art, or perhaps to best distinguish: Art!