Jan Kath and More! Over Coffee

Jan Kath and More! | Over Coffee

A casual conversation with Jan Kath about rugs and carpets turns intimate before the opening of Jan Kath in Toronto.

Meeting a German requires a degree of punctuality and though I was not yet late, I was concerned that I would be as the cab driver zig zagged his way through the gridwork of Toronto streets, dodging streetcars and a seemingly inexhaustible supply of orange safety vests, construction cones, pedestrians, and incomprehensibly slow and distracted drivers. My anxiety mounted as he asked me which route I would like him to take as if I was some navigational savant. ‘I just need to get there as fast as possible,’ I replied. My appointment was for 15:30 and when the driver pulled to the curb in front of the Gladstone Hotel where I was staying and entertaining Kath, the clock on my phone read 15:23. Safe! Then Jenni Finlay, partner of Findlay and Kath, messaged: ‘I’m so sorry. I didn’t get Jan out of here on time. He’s in an Uber now but is running late.’ I am sure I rolled my eyes, laughing internally at the situation. I took a few moments to head up to my room in order to preen myself before returning, settling into a very comfortable lobby sofa to await my guest.

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Embargo On... Again | Iran Sanctions - The Ruggist

Embargo On… Again | Iran Sanctions

The United States once again enacts an embargo on Iranian made rugs; this time by themselves.

Pursuant to this directive once the first wind-down period ends on 6 August 2018, the government of the United States will revoke several JCPOA related authorizations regarding sanctions on Iran, namely: The importation into the United States of Iranian origin carpets and foodstuffs and certain related financial transactions pursuant to general licenses under the Iranian Transactions and Sanctions Regulations, 31 C.F.R. part 560 (ITSR). Further information regarding sanctions can be found from the Department of the Treasury’s Office of Foreign Asset Control (OFAC). In short, importation of Iranian made carpets into the United States after 6 August 2018 will – once again – be illegal. No other country currently has plans to enact an embargo on Iranian made carpets.

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Nepal Ascending - The Ruggist

Nepal Ascending

How a focus on quality and differentiation can revive the carpet industry of Nepal.

I have thought long on this, in fact since November 2016 and I do not in any way claim to have the answers save one: I know if nothing is done, the facts speak for themselves. I have friends in Nepal who envision a guild of sorts which would certify the quality of workmanship and materials. I have other friends in Nepal who would join this guild if it meant they would sell more carpets. I see the possibility of this guild idea growing to include export organizations, and NGOs from the West. I see the Guild bringing together Nepalis, Tibetans, and Westerners with a renewed ‘we can rebuild’ attitude like that which existed in that ‘brief shining moment’ that was the aftermath of the earthquake; earthquake also as allusion to the long decline of Nepali weaving. I call upon any concerned importer or maker of Nepali-Tibetan carpets to if not join me and my colleagues in working toward this concept of Guild, at least acknowledge a new approach must be had. For those who feel as I do, that a more unified voice is required, that more can be done both here in the West but more importantly in Nepal as well, and that the status quo is less than acceptable, I welcome the opportunity to talk with you personally so that we can – collaboratively – truly give back to Nepal.

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Interwoven Authenticity | A Caveat - The Ruggist

Interwoven Authenticity | A Caveat

A semi-disjointed thought piece discussing authenticity, truth, and transparency in the modern world (of rugs and carpets).

It is worthy of note that throughout the entirety of The Ruggist you will find no small degree of exaggeration, hyperbole, and irreverence. It’s who I am, it’s how I write, it’s how I see the world. Black, but not just any black. The most perfect black of which you can think. Soot from a freshly cleaned chimney black; matte with no discernible texture, as though you’re staring into a void. Vantablack® – Can this be applied to yarn? I wonder… . That kind of black. And then of course to the far other extreme, a white of no less than equal splendour, pure, but not devoid of all hue. Perhaps the Benjamin Moore named colour: Grand Teton White, if only because it reminds me of my fourteen year old self giggling at the name while basking in the very same majesty that first greeted those French explorers. Each colour – no less special than the other – vying, clamouring to be recognized as the best, the most authentic, the singular whatever it is.

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Kyle and Kath - Jan Kath Design and Avenues World School launch Crossroads & Avenues. This project is a creative collaboration between the children of Avenues: The World School of New York City and the Kesang Primary School of Kathmandu. This global project brings together the creativity of children from opposite sides of the world in order to explore their cultural views and interpretations of design as seen through a child's eye. The result: fresh and original Nepali-Tibetan carpets. | The Ruggist.

Crossroads and Avenues | Excelsior!

'Giving back' takes on added dimension with an eye keenly focused on the future of Nepali carpet making.

Kyle and Kath – Jan Kath Design New York and Avenues the World School quietly launched the Crossroads and Avenues design project in January 2018. The brainchild of Kyle Clarkson, Managing Partner and designer at the firm, Crossroads and Avenues extends an ongoing multi-year program in which Kyle and Kath hosts schoolchildren educating them on the art, craft, and design of handmade carpets. During these class visits, children learn about the art of handknotted carpets and are given the freedom to imagine and create their own carpet design. ‘The kids have had such fun creating their own designs that I was inspired to take it to the next level and produce a few of their designs at our factory in Nepal.’ says Clarkson of the effort. Originally envisioned as a way to expose handwork to students whose lives are admittedly removed from such work, the project – with the encouragement and support of Avenues: The World School of New York City – quickly developed into a global collaboration bringing together disparate cultures and interpretations of design; all through the as of yet unjaded eyes of children.

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