Label STEP

Nepal Ascending
How a focus on quality and differentiation can revive the carpet industry of Nepal.

25 April 2018 Michael Christie Opinion

I have thought long on this, in fact since November 2016 and I do not in any way claim to have the answers save one: I know if nothing is done, the facts speak for themselves. I have friends in Nepal who envision a guild of sorts which would certify the quality of workmanship and materials. I have other friends in Nepal who would join this guild if it meant they would sell more carpets. I see the possibility of this guild idea growing to include export organizations, and NGOs from the West. I see the Guild bringing together Nepalis, Tibetans, and Westerners with a renewed ‘we can rebuild’ attitude like that which existed in that ‘brief shining moment’ that was the aftermath of the earthquake; earthquake also as allusion to the long decline of Nepali weaving. I call upon any concerned importer or maker of Nepali-Tibetan carpets to if not join me and my colleagues in working toward this concept of Guild, at least acknowledge a new approach must be had. For those who feel as I do, that a more unified voice is required, that more can be done both here in the West but more importantly in Nepal as well, and that the status quo is less than acceptable, I welcome the opportunity to talk with you personally so that we can – collaboratively – truly give back to Nepal.

Kyle and Kath - Jan Kath Design and Avenues World School launch Crossroads & Avenues. This project is a creative collaboration between the children of Avenues: The World School of New York City and the Kesang Primary School of Kathmandu. This global project brings together the creativity of children from opposite sides of the world in order to explore their cultural views and interpretations of design as seen through a child's eye. The result: fresh and original Nepali-Tibetan carpets. | The Ruggist.

Crossroads and Avenues | Excelsior!
'Giving back' takes on added dimension with an eye keenly focused on the future of Nepali carpet making.

22 April 2018 Michael Christie Noteworthy

Kyle and Kath – Jan Kath Design New York and Avenues the World School quietly launched the Crossroads and Avenues design project in January 2018. The brainchild of Kyle Clarkson, Managing Partner and designer at the firm, Crossroads and Avenues extends an ongoing multi-year program in which Kyle and Kath hosts schoolchildren educating them on the art, craft, and design of handmade carpets. During these class visits, children learn about the art of handknotted carpets and are given the freedom to imagine and create their own carpet design. ‘The kids have had such fun creating their own designs that I was inspired to take it to the next level and produce a few of their designs at our factory in Nepal.’ says Clarkson of the effort. Originally envisioned as a way to expose handwork to students whose lives are admittedly removed from such work, the project – with the encouragement and support of Avenues: The World School of New York City – quickly developed into a global collaboration bringing together disparate cultures and interpretations of design; all through the as of yet unjaded eyes of children.

Natural Dying Art Day at Creative Matters with The Ruggist | Image by The Ruggist

Art Day at Creative Matters
A field visit with Creative Matters to participate in the firm's Art Day creative process.

15 August 2017 Michael Christie Ephemera

To avoid atë the firm implemented what has grown to become an ‘integral influence on the constant flow of creative design that emerges from the studio’ to quote Creative Matters. ‘Art Days’ allow the entire staff as a team, not just the designers, to immerse themselves in a technique or a subject matter in order to garner fresh and, as I came to discover, unexpected insight. By exploring various artistic techniques of photography, glassblowing, collage, and the like without a predestined use nor aesthetic, the firm is able to create a body of original artwork ‘from somewhere else’ some of which may be suited to an individual collection, others archived for potential use in future projects. The exploration of techniques foreign to some, familiar to others, fosters camaraderie and team building, while simultaneously fuelling the creativity of the firm. This is a brief look behind the creative curtain.

'Nine Million Stars' is a video project produced by Jan Kath and Label STEP that celebrates Nepali carpet weaving as a sustainable alternative to migrant labour. Staring famed Nepali actress Reecha Sharma and noted Nepali stage actor Tika Bhakta Jirel, directed by the award-winning Tsering Rhitar Sherpa. - The Ruggist | Image courtesy of Jan Kath.

Shine Brightly! | The Future of Weaving
A video by Jan Kath and Label STEP celebrates Nepali carpet weaving as a sustainable alternative to migrant labour.

23 June 2017 Michael Christie Commentary

There is a certain penchant on the part of carpet purveyors to romanticize the notion of carpet weaving as a storied, well respected, and almost nobel profession. Skills are extolled, the art and craft are professed as sublime, homage is paid to the hard work and talent of those who make carpets, and the resultant product is held as high example of handwork and human artistry. And why not? The ability to create woven cloth from fibre dates to time immemorial, with estimates dating this skill to some 27,000 years ago. And while pile carpet construction, as evidenced by the Pazyryk Carpet, dates to perhaps only the more recent but still sufficiently historic fifth century BCE, it is safe to state unequivocally that weaving has been important to the development of humandkind. But, for such a noble and profoundly important profession, ‘How many handweavers do you know here in the west?’ I ask rhetorically.

Madras Plaid and The Manshu Collection - Mischioff - The Ruggist

Madras Plaid and The Manshu Collection
From fashionable fabric to inspiration for a stunning carpet, the style never fades.

10 July 2015 Michael Christie Noteworthy

And that ladies and gentlemen is what great (timeless) design is about: self-expression. Three (3) years hence and I am still thinking about the collection and in particular the above design 1608 (I know, I know, it could have a slightly better name) wondering what kind of amazing living room this carpet would complete, when the so-called article Print Play: The History of Madras Plaid scrolls across my Facebook timeline. Aside from chortling at the use of the word history, I also had a hearty laugh at the idea of Madras Plaids being back en vogue or as we have to say these days: ‘On Trend.’ This is not a fabric that is trendy, this is a staple. Sure its popularity waxes and wanes in the common downmarket world of H&M (How else would you sell new clothes each season?), but in the nicer prêt-à-porter boutiques of say the preppy, Brooks Brothers wearing, summering in the Hamptons crowd, Madras Plaid has never gone out of style. It remains a superior example of design that is both aspirational and establishment, timeless and popular, subtle and bold, ‘Go to Hell’ even!