The Ruggist
Archive
Begun as a lark in the summer of 2008 the website of 'The Ruggist' has had many iterations. First as highly irreverent blog, then as a professional website for insightful commentary about rugs and carpets; penultimately it languished as a reflection of times past. If you’ve come looking for past articles, you're now in the correct place, the archive section; however please note the articles categorized as 'archive' are no longer updated, nor maintained in any way, and may contain out of date information.

Archive

Begun as a lark in the summer of 2008 the website of ‘The Ruggist’ has had many iterations. First as highly irreverent blog, then as a professional website for insightful commentary about rugs and carpets; penultimately it languished as a reflection of times past. If you’ve come looking for past articles, you’re now in the correct place, the archive section; however please note the articles categorized as ‘archive’ are no longer updated, nor maintained in any way, and may contain out of date information.

You are encouraged to view the archives as they are intended, as contemporaneous commentary and critique reflective of the time the article was originally published.

Archive

Zum Kaffee mit Lucy Upward | Bochum

‘As long as you think it could work and that anyone would be interested.’ was the affirmative reply I received from Lucy Upward, Editor of COVER Magazine, when asked if she would be willing to be interviewed as part of my series ‘Over Coffee’. ‘We’ll do it over afternoon coffee at Jan Kath’s during ‘A Family Affair’ I replied, ‘I think it has the potential to be quite interesting. It will be a fun exploration of our thoughts, handfulls of people will find it enjoyable. Handfulls!!’ I concluded. ‘Handfuls. At least ten (10)… .’ Lucy replied. And so it was decided that we would sit down and chat while Lucy and I were both in attendance at the second annual ‘A Family Affair’, graciously hosted by Jan Kath, his eponymous firm, and the extended and diverse global Jan Kath family – in both the literal and figurative sense.

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Fort Street Studio Presents… .

‘A lot of films about carpets follow the same narrative.’ begins Janis Provisor as I speak with her via telephone whilst her and co-principal and co-creative director Brad Davis are on a brief visit to New York City. ‘You typically see spinning, carding, weaving, all the usual makings of a carpet, but we wanted to make things more interesting; to create little vignettes.’ Provisor is referring to a series of short films her firm Fort Street Studio recently commissioned to tell a story with few stipulations and no pre-defined narrative. ‘We more or less gave the filmmakers carte blanche only requiring the films be shot on location in our New York Showroom and that they use our painterly and textural carpets as an inspirational design element. Beyond that, we said ‘Do what you want.”

Archive

Boro | The Art of Repurpose

In October 2016 Jan Kath by Kyle and Kath – the New York City showroom of the eponymous brand – presented ‘Boro: The Art of Repurpose’, an innovative presentation of authentic Boro garments paired with the firms like inspired carpet collection as well as the contemporaneous bespoke Boro fashions of Kuon. Spanning the intertwined realms of interiors, history, and fashion the exhibition revives the wisdom of the ages as it were, presenting it as one must, polished and now in high regard.

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Istanbul Carpet Week | A Must!

Although the inagural Istanbul Carpet Week took place almost six (6) months ago the impact and importance of the event has not dwindled with time. In fact, only now in a state of relative calm, removed from the incessant urgency and demands of instantaneous satisfaction imposed upon the media landscape of today can I truthfully and thoughtfully convey the importance of not only this event, but of more events like this in the future. In short, I believe this blend of educational conference, gala celebration, business to business meetings, and cultural and information exchange – something the antique carpet community has long encouraged to various degrees – is key to the long term survivability of our industry.

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Over Coffee at Fort Street Studio | Hong Kong

I have long admired the original Wild Silk carpets of Fort Street Studio, especially the latter day ‘Shag’ incarnation which is the stuff of ‘which decadent dreams are made’. The ‘Shag’ however is not what earned the firm their well deserved accolades, nor is it what motivated Hermès in 2010 to tap Fort Street’s joint Creative Directors Janis Provisor and Brad Davis to create a collection of exceptional wild silk carpets for the then new Hermès Maison collection of luxury home furnishings and accessories. That honour, as well the reputation of the firm more broadly, were brought about by the unbridled passion and synergy of two (2) artists – both partners in life and in business – whose combined vision to create something genuinely unique in the world of rugs achieved the rarest of goals: success!

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Handknotted Chair Covers | Ragamuf

Serendipity is a ‘fortunate happenstance’ or ‘pleasant surprise’; the term was coined by Horace Walpole in 1754. In a letter he wrote to a friend, Walpole explained an unexpected discovery he had made by reference to a Persian fairy tale, The Three Princes of Serendip. The princes, he told his correspondent, were ‘always making discoveries, by accidents and sagacity, of things which they were not in quest of.’, at least according to Wikipedia. And so it is quite serendipitous that the vast and mostly borderless internet happened to introduce me to the Ragamuf. What the heck is a ‘Ragamuf’ you ask? Well, let me tell you.

Archive

12 Warren Street + Kasthall

If you were to write an imaginary conversation as an entrée to an article about rugs in a presentation condominium in New York City, where would you begin? Would you pretend to be a client probing for the qualifications of the firm supplying the carpets? Would you marvel at the foresight and planning needed to get custom carpets into a show space? Would you boldly proclaim their carpets to be well suited for, and I’m quoting their marketing material here, ‘…all kinds of clients and spaces; from beautiful residences, lux[ury] yachts, and exotic hideaways to cool offices, boutique hotels and the Swedish Royal Castle.’? Yes, yes you would.

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‘Darth Vader’ et alia | Hadi Maktabi

I knew of Hadi Maktabi of Hadi Maktabi Rare Carpets and Antiques long before I met him, though I am not certain how it came to be. Perhaps it was his reputation as someone genuinely and eminently qualified to lecture (in the schooled manner, not the scolding) on the topic of antique Persian carpets, or perhaps it was his embrace of all things modern when it comes to social media, promotion, and brand awareness. Maybe it was the juxtaposition in this forced dichotomy of a man who on one hand promotes himself via Instagram and the like, yet eschews most modern carpet production; I cannot help but wonder his process of deciding what modern things to accept and what to reject. Maybe it is his near zealous obsession with quality and the rare or his love of video games and pop-culture. Regardless of how, it is the latter which brings us to be talking about and with him today.

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Rugs Without Borders | Be the change…

To show The Ruggist’s support of all of these carpet making peoples we are introducing the social media campaign #rugswithoutborders in order to highlight both the great diversity of rugs and carpets made all over the world and the vibrant cultures from which they come. ‘America (or any country) First’ is a con which fails to realize the interconnected nature of our modern world. While it is true some countries may excel where others may fail, it is our collective diversity which has given us the world in which we live. None of us – The Ruggist included of course – can claim to be omniscient or omnipotent, rather we all contribute as we are able to make this world, our world, a beautiful and vibrant place.

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Over (Turkish) Coffee in Istanbul

Nothing is better at giving you a glimpse into the persona of a friend than sitting next to them on an intercontinental flight. Shared hopes of our third seat mate not arriving (he did), wondering what culinary delights await on Turkish Airlines, and anticipation of an exciting week of rug and carpet presentations and buying as we both explore Istanbul for the first time, were all topics of idle conversation. As we settled into the flight I opted to ‘watch’ a series of lower concept action adventure and sci-fi movies, whereas Carol – in an ernest effort to truly define ‘binge consumption’ – set out to catch up on the final season of the more high-brow ‘Downton Abbey’; all of it. Ten (10) hours and innumerable disapproving remarks from the Dowager Countess later we arrive in Istanbul to begin our joint adventure in carpets, culture, food, history, camaraderie, and design. Join us now as we discuss the events of the week, Over (Turkish) Coffee in Istanbul.

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Over Coffee at ‘The House of Love’

Welcome to the first installment, of…, err, inaugural ‘Over Coffee’ interview. This is a new freeform feature on The Ruggist where we talk with luminaries, freshmen, legends, and otherwise from the world of rugs. Not necessarily only about rugs and carpets, Over Coffee’s only set premise is in the name. By introducing another more moderate passion of mine – coffee – it is my hope these conversations will be more casual, wide ranging, and interesting than an old school interview. I’m a casual guy, and I’d like to share a bit of that informality with you. So, to start us off I have asked my dear friend Amy Helfand – who is a real friend, not one just in that marketing terminology way. I’ve asked Amy to be my first…interviewee… as we talk at ‘The House of Love’.

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Inspiration to Presentation | ‘Camara’

In November of 2016 we caught up with John Kurtz, his daughter Erika Kurtz, and Erika’s adorable six-month old daughter Izzy in Patan and Kathmandu in Nepal. Erika – who now runs the business as John is in active retirement – was more than happy to explain and illustrate first hand what constitutes this much touted difference as we all toured the various facilities used to produce New Moon carpets. From initial inspiration to final show presentation, follow along as we examine ‘Camara’ by New Moon which debuts during DOMOTEX in Hannover, Germany the 14-17 January 2017.

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Beauty of Life by Yuki Hayama

Joseph Carini Carpets hosted the debut United States exhibition of ceramic works by Japanese artist Yuki Hayama from 9 September through 29 September 2016 at Mr. Carini’s eponymous TriBeCa carpet showroom. The showroom served not as mere gallery to the magnificently detailed work of Mr. Hayama, but rather as a veritable collaborative studio in which hard – in the form of ceramics – was juxtaposed against soft – in the form of the carpets Joseph Carini designed after being inspired by Mr. Hayama’s work. A visual delight where the contrast of two (2) disparate artistic endeavours begs the viewer to delve deeper into the notion of creativity, inspiration, and a true understanding of craft.

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‘carpet blue/green’ | Ashtari

Ashtari Carpets is a rug and carpet retailer located in Antwerp, Belgium specializing in modern decorative carpets and select rare antique carpets. Their contemporary offerings hail from some of the best currently in the business including Wool and Silk, cc-tapis, and Edelgrund, all of whom produce world class carpets which Ashtari presents with a stylish if not also somewhat sexy sensibility. It’s this sensibility – which lies in direct contrast to the staid and antiquated ‘here’s a pile of rugs’ approach – that first caught our eye and, as a brief aside, it is one we hope will continue to evolve, becoming more pervasive as time progresses.

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NYICS 2016 | Preview

The New York International Carpet Show (NYICS) gets underway in New York City this 11-13 September 2016 and even before the show starts it’s as though – to quote Star Wars – there is a ‘great disturbance in the force.’ As the original autumn New York City rug and carpet show there has, in years past, been a certain caché to exhibiting and attending the show, which was in no small way, due to the disrupting nature of the show when it first broke from the then stranglehold of the Atlanta Markets in 2004. By adding an ‘Antiques Pavilion’ during this year’s show, the NYICS once again attempts – to quote Star Trek – to ‘boldly go’ into the great unknown by presenting antique and collectable carpets alongside new production. While this is not uncommon in showrooms, this is a novel approach worthy of note for what it may bring to the trade show environment and marketplace in general.