New Moon
New Moon

In Consideration of Copyright

In the 1999 film ‘Dogma’ Salma Hayek plays ‘Serendipity’. Not simply a woman whose name happens to be Serendipity, but rather she plays the physical embodiment of serendipity itself, which is to say she is the ‘chance’ which brings about the occurrence and development of events in a happy or beneficial way.  Except of course, there is no chance. While those without divinity perceive their interactions as random, or due to fate, or karma, or what have you, from the perspective of Serendipity, it is her will which causes events to happen as they do; for her the future is not fully unknown nor fully manifest rather its exists as any one of an endless number of permutations based upon her direct actions. In many ways the creation and success of a supposedly new rug or carpet design is a result of serendipity with the artist or designer creating something perceived as new as a result of the careful and equally serendipitous or Serendipitous work of those who have come before.

Inspiration to Presentation | ‘Camara’

In November of 2016 we caught up with John Kurtz, his daughter Erika Kurtz, and Erika’s adorable six-month old daughter Izzy in Patan and Kathmandu in Nepal. Erika – who now runs the business as John is in active retirement – was more than happy to explain and illustrate first hand what constitutes this much touted difference as we all toured the various facilities used to produce New Moon carpets. From initial inspiration to final show presentation, follow along as we examine ‘Camara’ by New Moon which debuts during DOMOTEX in Hannover, Germany the 14-17 January 2017.

They’re Great! | Tiger Rugs

Within the world of rugs and carpets if one is to mention ‘Tiger Rug’ the foremost thought aught to be that of Tibetan Tiger Rugs. Not because of any exclusive domain over the motif – which there most certainly is not, but rather because in the grand and storied history of tigers as inspiration for carpets Tibet has produced some of the most amazing, lively, and original versions of the design. Whether the motif originated in Tibet, in a geographically proximal region, or in Timbuktu as a metaphor for far-off unknown places, is a scholarly debate for another time. Regardless, know that amongst the collectable and pre-commercialized rug market, Tibetan Tiger Rugs are, if you’ll pardon the pun, the cat’s meow.

Menagerie | New Moon

What is most interesting about ‘Menagerie’ is the overall composition and juxtaposition utilizing elements that are, in reality, quite texturally distinct. Large and looming elephants with their eraser like skin. Pouncing Cheetahs with ostentatiously soft and contemporaneously verboten pelts. Peacocks with wispy and delicate feathers. Verdant and fern like foliage swaying gently in a cool forest breeze. All of these elements rendered and re-imagined in luscious and variable combinations of Tibetan wool, silk, and natural nettle fibres.

Give Back to Nepal | #givebacktonepal

Nota bene: This post was heavily revised on Tuesday, 28 April 2015 to reflect information available at that time. I spoke with a colleague in Kathmandu earlier this morning and while most of his family are safe, others remain yet to be located. He further reports their homes are destroyed, and the immediate concerns of shelter, food and medicine are top priorities.I would like to stress that many of the efforts listed here will have longer term benefits to Nepal, whereas others benefit the short term needs of the country. Consider donating to organizations with existing infrastructure and the ability to service these immediate needs first, then give to other efforts with longer term impact. Finally, please remember that the long term success of rebuilding will only be helped by your continued business with Nepal. So, to begin again as it were, an uncredited quote from our friends at floordesign in San Francisco via facebook…

Copyright This!

Perhaps it best to begin where the prologue that was my last article left off. As you will recall, I introduced the topic of copyright, and specifically asked: ‘What happens when one manufacturer impersonates the style and aesthetic of another?’ The short answer is found in the article I wrote for the Winter 2013 Issue of COVER magazine (along with Ben Evans and Jessica Franses – Full Disclosure: I was paid for the article.): A knockoff is copying – theft – and it is wrong. My opinion on flagrant and blatant copying is clear, but there are of course an endless myriad of permutations between copying and – to the other extreme – the unattainable ideal of pure original creation, and it is the discussion of this spectrum that is integral to the topic at hand.