Critique
Critique

Ruggist’s Harangue | The State of Something

Photorealistic designs in rug production is not a new concept, but it is one that is enjoying popularity mostly due to, in my opinion, advancements in technology and not great artistic or creative merit. An iconic photograph, of an iconic building, in an iconic city. That’s great. Let’s “design” a rug. I’ll just desaturate the image, drop it into the rug graphing software of your choosing, maybe pick the colours, but likely let the computer, and viola! I’m a designer. Now I’ve heard Mr. Irwin did not design this rug, but that is neither here nor there. He is passing this bunkum off as design and frankly it is not. Don’t believe me? That’s fine, I believe you to be wrong. That notwithstanding, it is a fantastic technical achievement in rug construction, but it might as well be a screenprinted design on a cotton chenille machine woven rug. It’s that stupid of a concept and it is insulting to think that people with real taste and style would appreciate, let along purchase such a rug. It’s pretending to be iconic by borrowing provenance and anything else it can from both its origins and the exceptional skill of those who wove it. It’s an affront to taste (good or bad) and we need not ever speak of this again, but of course we will, because on the other hand… .

I want a Knockoff! | Paul Smith Rug

As I have already beaten the Copyright horse to its near death I will not belabour the point too much today, and in fact I only mention it again as I received the lamest of emails imaginable. Whether the author of the email is authentic in her intent, or is merely on a fishing expedition (for The Rug Company or otherwise) to see if I will name names and offer suggestions is not of any consequence to my response. Here is her email followed by my public reply: she did not get a private reply.